“They sang songs about freedom now we act like we don’t need ‘em…”- Mike Hicks “Where Have Our Songs Gone?”
Have you ever noticed that when some sort of tragic uprising is going on in the world that the first song most urban radio DJs reach for is Marvin Gaye’s “What’s Going On” which came out over 40 years ago? Now I’m not complaining about the song of course. It’s timeless much like all of Marvin Gaye’s music. I’d much rather hear his version than the pop star studded remake (sssshhh let’s not talk about that…nope, let’s not even). But are we really that desperate for songs with meaning that we have to reach back over 40 years?
While pondering this, I issued a challenge on Facebook that went like this: In light of recent tragedies regarding black men being senselessly murdered by police, if you were a DJ, could you put together an hour of music (about 15 songs) limited to only the following criteria:
And let’s not forget these stipulations as well:
* You can only repeat an artist one time so no, playing The Roots and John Legend’s Wake Up album for an hour straight does not count.
2. Erykah Badu’s “A.D. 2000”, a tribute to Amadou Diallo.
3. Jon Batiste and Stay Human’s “Social Music” (This was a new one to me. Glad I was introduced to his music.)
4. Aloe Blacc’s “Love is the Answer”.
5. Esperanza Spalding’s “Black Gold”
6. Janelle Monae’s “Sincerely Jane”
7. Mali Music’s “One”
7 songs in 24 hours.
Before I posted this challenge, I mentioned it to a friend who coincidentally found himself challenged on the way to work to find something to alleviate his frustration with current events, most specifically the uprising in Ferguson, Missouri. He told me “I put on the Wake Up album but I got frustrated that I had nothing more to ‘soundtrack’ all of this to.” Reminds me of something that John Mayer said in his song “Speak for Me”.
Play a song that I can sing
Make me feel as I am free
Someone come speak for me- “Speak for Me” John Mayer
I don’t want a world of broken things
You can tell that something isn’t right
When all your heroes are in black and white- “Speak for Me” John Mayer
Make no mistake, I am not picking on these artists of today. Promising to be socially responsible is not a criteria when it comes to signing a recording contract no more than the guarantee that one is mentally stable. I can’t imagine putting the pressure on some of the most popular artists today to suddenly become socially conscious. I don’t even think that some of their record labels would allow it. Besides, after witnessing some of the things that they can get arenas of people to repeat and co-sign that aren’t exactly socially responsible to begin with, I honestly don’t think it would be fair. We have indeed become a society that celebrates broken things. So contrary to what you may think I was getting at with my challenge, my point was not that today’s artists need to change. My point is music has become less and less about music and more and more about amusement. What necessarily has caused this imbalance in our music? I don’t have all of the answers but what I do have is a theory that may reveal a part of the problem.Besides producing socially conscious music that has stood the test of time as well as using their platform to bring about social change, there is one more thing that Marvin Gaye, Stevie Wonder, Nina Simone, The Staples Singers and Curtis Mayfield have in common: they all started in the church.
In a recent Time article, Questlove was quoted as saying something that up until I read him say it, I thought I was the only one that saw a correlation:
“…I don’t think it’s a mistake that a lot of of my favorite artists are coming from Down Under. A lot of them more soulful than what we’re dealing with now. When you think soul music and Aretha Franklin and the Baptist-born singer, that’s sort of an idea in the past. As black people, we’re really not in the church as we used to be, and that’s reflected in the songs now.”
Is the church to blame for shutting up the mouthpieces that we desperately need to speak to and for our culture?
Yes it completely and undoubtedly is.
The way the church, and not just the black church but the church as a whole, has grossly mishandled the musical talents and gifts of its members is a shame and a sin rooted in both fear and elitism. It’s across the board. I’ve heard too many stories about mainstream artists who are Christians that are criticized for what they do but no one minds them sending their tithe check in off of what it is that they do; too many stories about artists who have gotten preferential treatment because of what they do and have been pressured to be in the spotlight in their churches all the while their personal lives were falling apart with little to no recognition from pastoral leadership. I’ve seen church musicians frustrated and completely resent the church and leave never to trust the church again while the pastors were too busy worrying about where they will find a replacement before Sunday than that person’s soul. The Church needs to repent for how we have treated our “Davids” and our “Asaphs”. It was never the intent of God to keep His children and their gifts within four walls. If you truly believe in the word of God, if you believe that “where the spirit of the Lord is there is liberty,” don’t just let but SEND with your blessing outside the four walls of your church those with the Spirit that brings about liberty to convey that in their songs so that they can impact our culture. Who else to sing about love than those who believe in and walk in Love? Who else to talk about the issues of life than those that have been given abundant life?
“Won’t you help me sing these songs of freedom…” Bob Marley “Redemption Song”
It’s time to wake all the way up, Church. I am pleading with those in leadership to please acknowledge the fault and take the lead. We’ve got to call our prodigal sons and daughters back and tell them that we were wrong. That the very gifts that we cursed or exploited were ones that could have been used to speak life at this very moment when our culture needs them the most. We’ve got to train, equip, affirm, and intercede for those that have been called to mainstream music. We must because here’s the thing: so much of the resistance from the church that musicians have faced when it comes to going mainstream is rooted in fear; fear that the industry will be too tempting and too much for them to take to the point that they will compromise their faith. And it is all of those things… when you have to do it alone. They shouldn’t have to do it alone. We need to stand with them.
So where have our songs gone? They’ve gone with the very ones we’ve shut out and shut down. It’s time to invite them back in. We need them now more than ever before.